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Staff Favorites: Queer Horror
In Conversation: Staff Writers on ‘Beau Is Afraid’
Intersections of Feminism: The Females of Mike Mills’ ’20th Century Women’
‘How To Blow Up A Pipeline’
Staff Favorites: Heists
In Conversation: Staff Writers on ‘Infinity Pool’
Staff Favorites: Pi Day
‘Copenhagen Cowboy’
‘Los’: James Benning’s Los Angeles
Staff Favorites: Heartbreak
‘Master Gardener’
Staff Favorites: 2022 Catch Up
Staff Favorites: Family Conflicts
‘Halloween Ends’
‘Terrifier 2’
Staff Favorites: Noir-vember
‘Glass Onion: A Knives Out Mystery’
‘Tár’ and Todd Field’s Cinema of Judgment
Staff Favorites: Sci-Fi Horror Films
Portraits of Nations: Eisenstein’s ‘Alexander Nevsky’ and Ford’s ‘Young Mr. Lincoln’
‘Don’t Worry Darling’
Marcello Mastroianni: The Italian Man
Recommendations from the Margin: Pride Edition 2
Silence and the Language of ‘Drive My Car’
‘Cha Cha Real Smooth’
Recommendations from the Margin: Vol. 7
Why We’re Still Dreaming, Thirty Years Later: ‘Twin Peaks: Fire Walk with Me’
In Conversation with filmmaker Sky Hopinka
‘Bad Moms’ and Nagging Wives: The Reclamation of Maternal Messiness
Staff Favorites: Performance in a 2021 Film
‘Don’t Look Up’
‘Memoria:’ Your Memory, My Memory, or Our Memory?
Recommendations from the Margin: Winter Edition
‘The Velvet Underground’
‘The French Dispatch’
‘Halloween Kills’
Recommendations from the Margin: Halloween Edition 2
‘Southland Tales:’ I Got Soul, But I’m Not a Soldier
Recommendations from the Margin: Volume 6
‘The Card Counter’
Isolation & Modernity in ‘The Green Years’
Recommendations from the Margin: Pride Edition
Remembering The Hollywood Humorist Preston Sturges
‘The Sparks Brothers’
The Gentle Hand of Isabel Sandoval’s Filmmaking
‘Broadcast Signal Intrusion’
Take a Drink and Remember the Man: ‘Waking Ned Devine’
Maurice Pialat: An Outsider on the Verge of Breaking Through
‘Bringing Out the Dead’ Marked the End of a Scorsese I Loved
Ranking Every ‘Leprechaun’ Movie, Because We Can
Remembering Bobby Sands Through Steve McQueen’s ‘Hunger’
How Genre Influences ‘Judas and the Black Messiah’
Recommendations from the Margin: Black History Month
Recommendations from the Margin: Volume 3
It All Starts with ‘Memories of Murder’
Pushing Color To Its Limit in ‘White Material’
Why ‘The New Mutants’’ Queer Representation Is Unique
‘The Craft: Legacy’
Animation and Annihilation: ‘When the Wind Blows’
‘David Byrne’s American Utopia’
Dave Chappelle’s Baadasssss Block Party
Art by Elinor Bonifant Resident Evil and Silent Hill: The Digital Terrors of the 2000s
Recommendations from the Margin: Halloween Edition
Alone, Together in Tsai-Ming Liang’s ‘The Hole’
‘Hubie Halloween’
‘The Trial of the Chicago 7’
Recommendations from the Margin: Volume 1
‘Words on Bathroom Walls’
Why ‘Us’ Is Essential Quarantine Viewing
Of Love & Hate: Going Beyond Reality in ‘A Nos Amours’
Taylor Swift Blurs the Lines in ‘Miss Americana’
‘She Dies Tomorrow’
A Brief Retrospective on Philosophy and Animation