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EDITORIALS
05 - 18 - 2023
Intersections of Feminism: The Females of Mike Mills’ ’20th Century Women’
REVIEWS
05 - 15 - 2023
‘How To Blow Up A Pipeline’
EDITORIALS
05 - 01 - 2023
Staff Favorites: Heists
INTERVIEWS
04 - 16 - 2023
In Conversation: Staff Writers on ‘Infinity Pool’
EDITORIALS
03 - 31 - 2023
Staff Favorites: Pi Day
REVIEWS
03 - 27 - 2023
‘Copenhagen Cowboy’
EDITORIALS
03 - 03 - 2023
‘Los’: James Benning’s Los Angeles
EDITORIALS
03 - 01 - 2023
Staff Favorites: Heartbreak
REVIEWS
02 - 17 - 2023
‘Master Gardener’
REVIEWS
02 - 11 - 2023
‘Broker’
EDITORIALS
02 - 01 - 2023
Staff Favorites: 2022 Catch Up
EDITORIALS
01 - 07 - 2023
Staff Favorites: Family Conflicts
REVIEWS
12 - 04 - 2022
‘Halloween Ends’
REVIEWS
12 - 01 - 2022
‘Terrifier 2’
EDITORIALS
11 - 28 - 2022
Staff Favorites: Noir-vember
REVIEWS
11 - 21 - 2022
‘Glass Onion: A Knives Out Mystery’
EDITORIALS
11 - 10 - 2022
‘Tár’ and Todd Field’s Cinema of Judgment
EDITORIALS
11 - 01 - 2022
Staff Favorites: Sci-Fi Horror Films
EDITORIALS
10 - 19 - 2022
Portraits of Nations: Eisenstein’s ‘Alexander Nevsky’ and Ford’s ‘Young Mr. Lincoln’
REVIEWS
10 - 10 - 2022
‘Don’t Worry Darling’
FEATURES
10 - 05 - 2022
Marcello Mastroianni: The Italian Man
EDITORIALS
07 - 15 - 2022
Recommendations from the Margin: Pride Edition 2
EDITORIALS
06 - 25 - 2022
Silence and the Language of ‘Drive My Car’
REVIEWS
06 - 15 - 2022
‘Cha Cha Real Smooth’
EDITORIALS
05 - 10 - 2022
Recommendations from the Margin: Vol. 7
REVIEWS
05 - 04 - 2022
‘X’
EDITORIALS
04 - 11 - 2022
Why We’re Still Dreaming, Thirty Years Later: ‘Twin Peaks: Fire Walk with Me’
INTERVIEWS
03 - 04 - 2022
In Conversation with filmmaker Sky Hopinka
EDITORIALS
02 - 06 - 2022
‘Bad Moms’ and Nagging Wives: The Reclamation of Maternal Messiness
EDITORIALS
02 - 01 - 2022
Staff Favorites: Performance in a 2021 Film
REVIEWS
01 - 21 - 2022
‘Don’t Look Up’
EDITORIALS
01 - 19 - 2022
‘Memoria:’ Your Memory, My Memory, or Our Memory?
EDITORIALS
01 - 03 - 2022
Recommendations from the Margin: Winter Edition
REVIEWS
12 - 10 - 2021
‘Passing’
REVIEWS
11 - 16 - 2021
‘The Velvet Underground’
REVIEWS
11 - 16 - 2021
‘The French Dispatch’
REVIEWS
10 - 31 - 2021
‘Halloween Kills’
EDITORIALS
10 - 28 - 2021
Recommendations from the Margin: Halloween Edition 2
REVIEWS
10 - 21 - 2021
‘Benedetta’
EDITORIALS
10 - 13 - 2021
‘Southland Tales:’ I Got Soul, But I’m Not a Soldier
REVIEWS
10 - 08 - 2021
‘Titane’
EDITORIALS
10 - 08 - 2021
Recommendations from the Margin: Volume 6
REVIEWS
10 - 06 - 2021
‘The Card Counter’
EDITORIALS
09 - 28 - 2021
Isolation & Modernity in ‘The Green Years’
REVIEWS
09 - 10 - 2021
‘Undine’
EDITORIALS
06 - 29 - 2021
Recommendations from the Margin: Pride Edition
FEATURES
05 - 24 - 2021
Remembering The Hollywood Humorist Preston Sturges
REVIEWS
04 - 21 - 2021
‘The Sparks Brothers’
EDITORIALS
04 - 19 - 2021
The Gentle Hand of Isabel Sandoval’s Filmmaking
REVIEWS
03 - 31 - 2021
‘Broadcast Signal Intrusion’
EDITORIALS
03 - 29 - 2021
Take a Drink and Remember the Man: ‘Waking Ned Devine’
FEATURES
03 - 23 - 2021
Maurice Pialat: An Outsider on the Verge of Breaking Through
EDITORIALS
03 - 19 - 2021
‘Bringing Out the Dead’ Marked the End of a Scorsese I Loved
EDITORIALS
03 - 17 - 2021
Ranking Every ‘Leprechaun’ Movie, Because We Can
FEATURES
03 - 17 - 2021
Remembering Bobby Sands Through Steve McQueen’s ‘Hunger’
EDITORIALS
03 - 04 - 2021
How Genre Influences ‘Judas and the Black Messiah’
EDITORIALS
02 - 27 - 2021
Recommendations from the Margin: Black History Month
REVIEWS
12 - 22 - 2020
‘Dreamland’
EDITORIALS
12 - 19 - 2020
Recommendations from the Margin: Volume 3
EDITORIALS
12 - 16 - 2020
It All Starts with ‘Memories of Murder’
FEATURES
11 - 27 - 2020
Pushing Color To Its Limit in ‘White Material’
REVIEWS
11 - 22 - 2020
‘Kajillionaire’
EDITORIALS
11 - 20 - 2020
Why ‘The New Mutants’’ Queer Representation Is Unique
REVIEWS
11 - 19 - 2020
‘The Craft: Legacy’
EDITORIALS
11 - 17 - 2020
Animation and Annihilation: ‘When the Wind Blows’
REVIEWS
11 - 16 - 2020
‘David Byrne’s American Utopia’
REVIEWS
11 - 11 - 2020
‘Rebecca’
EDITORIALS
11 - 08 - 2020
Dave Chappelle’s Baadasssss Block Party
FEATURES
10 - 31 - 2020
Resident Evil and Silent Hill: The Digital Terrors of the 2000s
EDITORIALS
10 - 28 - 2020
Recommendations from the Margin: Halloween Edition
EDITORIALS
10 - 19 - 2020
Alone, Together in Tsai-Ming Liang’s ‘The Hole’
REVIEWS
10 - 17 - 2020
‘Hubie Halloween’
REVIEWS
10 - 16 - 2020
‘The Trial of the Chicago 7’
REVIEWS
10 - 05 - 2020
‘Possessor’
EDITORIALS
08 - 25 - 2020
Recommendations from the Margin: Volume 1
REVIEWS
08 - 21 - 2020
‘Words on Bathroom Walls’
REVIEWS
08 - 20 - 2020
‘Spree’
EDITORIALS
08 - 14 - 2020
Why ‘Us’ Is Essential Quarantine Viewing
FEATURES
08 - 14 - 2020
Of Love & Hate: Going Beyond Reality in ‘A Nos Amours’
EDITORIALS
08 - 14 - 2020
Taylor Swift Blurs the Lines in ‘Miss Americana’
REVIEWS
08 - 14 - 2020
‘She Dies Tomorrow’
REVIEWS
08 - 13 - 2020
‘Host’
EDITORIALS
08 - 09 - 2020
A Brief Retrospective on Philosophy and Animation
