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Editorials
05 - 18 - 2023
Intersections of Feminism: The Females of Mike Mills’ ’20th Century Women’
05 - 01 - 2023
Staff Favorites: Heists
03 - 31 - 2023
Staff Favorites: Pi Day
03 - 03 - 2023
‘Los’: James Benning’s Los Angeles
03 - 01 - 2023
Staff Favorites: Heartbreak
02 - 01 - 2023
Staff Favorites: 2022 Catch Up
01 - 07 - 2023
Staff Favorites: Family Conflicts
11 - 28 - 2022
Staff Favorites: Noir-vember
11 - 10 - 2022
‘Tár’ and Todd Field’s Cinema of Judgment
11 - 01 - 2022
Staff Favorites: Sci-Fi Horror Films
10 - 19 - 2022
Portraits of Nations: Eisenstein’s ‘Alexander Nevsky’ and Ford’s ‘Young Mr. Lincoln’
07 - 15 - 2022
Recommendations from the Margin: Pride Edition 2
06 - 25 - 2022
Silence and the Language of ‘Drive My Car’
05 - 10 - 2022
Recommendations from the Margin: Vol. 7
04 - 11 - 2022
Why We’re Still Dreaming, Thirty Years Later: ‘Twin Peaks: Fire Walk with Me’
02 - 06 - 2022
‘Bad Moms’ and Nagging Wives: The Reclamation of Maternal Messiness
02 - 01 - 2022
Staff Favorites: Performance in a 2021 Film
01 - 19 - 2022
‘Memoria:’ Your Memory, My Memory, or Our Memory?
01 - 03 - 2022
Recommendations from the Margin: Winter Edition
10 - 28 - 2021
Recommendations from the Margin: Halloween Edition 2
10 - 13 - 2021
‘Southland Tales:’ I Got Soul, But I’m Not a Soldier
10 - 08 - 2021
Recommendations from the Margin: Volume 6
09 - 28 - 2021
Isolation & Modernity in ‘The Green Years’
06 - 29 - 2021
Recommendations from the Margin: Pride Edition
04 - 19 - 2021
The Gentle Hand of Isabel Sandoval’s Filmmaking
03 - 29 - 2021
Take a Drink and Remember the Man: ‘Waking Ned Devine’
03 - 19 - 2021
‘Bringing Out the Dead’ Marked the End of a Scorsese I Loved
03 - 17 - 2021
Ranking Every ‘Leprechaun’ Movie, Because We Can
03 - 04 - 2021
How Genre Influences ‘Judas and the Black Messiah’
02 - 27 - 2021
Recommendations from the Margin: Black History Month
12 - 19 - 2020
Recommendations from the Margin: Volume 3
12 - 16 - 2020
It All Starts with ‘Memories of Murder’
11 - 20 - 2020
Why ‘The New Mutants’’ Queer Representation Is Unique
11 - 17 - 2020
Animation and Annihilation: ‘When the Wind Blows’
11 - 08 - 2020
Dave Chappelle’s Baadasssss Block Party
10 - 28 - 2020
Recommendations from the Margin: Halloween Edition
10 - 19 - 2020
Alone, Together in Tsai-Ming Liang’s ‘The Hole’
08 - 25 - 2020
Recommendations from the Margin: Volume 1
08 - 14 - 2020
Why ‘Us’ Is Essential Quarantine Viewing
08 - 14 - 2020
Taylor Swift Blurs the Lines in ‘Miss Americana’
08 - 09 - 2020
A Brief Retrospective on Philosophy and Animation
